A Taste of Honey

Shelagh Delaney was the author of the play A Taste of Honey. She was born in Broughton, Salford where she attended her three primary schooling. Her ambition was always to write that is why at her early age, she began writing. Unfortunately, the performance of Delaney was fair only as seen in her achievements in the early part of her career. She was not known for her writing that is why she focuses on how to develop her writing skills (McCully).Delaney was a late bloomer in terms of her development in writing skills. In fact, when she started writing her novel, A Taste of Honey, she realized that it will be better to transform the novel into a play. Then eventually, the written novel was changed into a play.The main story of the play focused on a teen-aged working class girl refuses to conform to her dreary surroundings. The play tells the viewer typical social problems of Britain like poverty. The play director, Joan Littlewood, suggested that the play must be portrayed by a simple o r typical girl which the director based it from what the novel wants to impart to the audience.SUMMARYBefore going to the analytical and deep discussion on the play A Taste of Honey, it is better to summarize first the play. The main characters of the play are Josephine, Helen, Peter, The Boy, and Geoffrey.The Boy is a black sailor who was in love with Josephine but did not seen much in the play. Before he goes to the sea were he intended to leave for six months, he asked Josephine to marry him and gave her a ring as a sign of his love to her. From the play, The Boy impregnates Josephine.     Helen is the mother of Josephine. At the beginning of the play, she and her daughter had moved into a chilly and unclean flat house. Josephine was the product of Helen’s brief relation to a man who had divorced her eventually.The character of Helen was a hardened, middle-aged, working class alcoholic mother, while Peter is a young, wealthy man from London who was the reason why Helen leaves her daughter to start a new life. And the last main character is Geoffrey, a homosexual who happened to be Josephine’s roommate after she moved to another place. Geoffrey is the one who take care Josephine when she is still pregnant (Delaney).  The story is all about the adolescent of a normal girl, Josephine, a young working-class girl, is left alone and pregnant when her saloon-frequenting mother runs off to get married, and her lover, a Black sailor, returns to duty never to be seen again, but she finds help and friendship with Geoffrey, a homosexual art student.The stages of adolescenceThe purpose of this paper is to have a deep analysis or critical review about the play and focusing on the stages of adolescences of the main character who is Josephine.We know that all of us will undergo the stage of adolescence. Males and females have different stage or development periods just to say they are going or undergoing on the adulthood. The adolescence period is one o f the struggle and sometimes turmoil as the adolescent strives to develop a personal identity and achieve a successful transition from childhood to adulthood (Estes).The above paragraph shows the true meaning of adolosence period in a more technical or scientific manner. Though this can be considered for this paper, but I think what is more important to analyze are the changes that undergoes an adolescent in terms of psychological, mental, social and cultural changes. The psychological, cognitive and social changes associated with adolescences are the most complex and profound in any development period.Physical and sexual maturities are reached during adolescence with girls tending to experience both puberty and growth spurt earlier than boys. Although Josephine had a sexual relation with The Boy, this cannot be associated only with the sexual maturity of Josephine but more deep which is the social and emotional condition of Josephine when she decided to have sexual relation. This p art will be discussed as we go along the way.A normal adolescence period will have developed increasingly sophisticated cognitive and interpersonal skills, test out adult roles and behaviors and begin to explore educational and occupational opportunities that will significantly influence future adult work life and socioeconomic status. In the case of Josephine, her personal strength was tested when she was left by her mother in exchange to the wealthy man.Josephine strived not only for herself but also for her child who is still in her womb. Josephine had learned to deal with other people in order to survive from the harsh environment. She first met The Boy who had shown affection for Josephine. In adolescence period, there will come a time that we will be attracted to the opposite sex and this what Josephine experienced in the middle part of the play.They both had a short affair. Due to alienation and loneliness, she decided to have sex relation with The Boy. There are many reasons why a person undergoing adolescence period wants to engage into sex. Some is for the physical and sexual maturity while others is because they have some emotional and social problems and thought that having sex will eliminate all these problems. In the case of Josephine, I think she has deeper purpose why she decided have sex and not only for physical maturity (Savage).I think the main reason why Josephine had undergone a not so normal adolescence stage is because her abnormal social and economic status of their family. Single parent is one of the sensitive issues in our society because it concerns children physical, mental, and emotional development. From the play, Josephine has single-parent households.We know for the fact that our parents are the ones who have the major responsibility in caring, teaching and nurturing the values needed in our development as a child and as adulthood (Belcastro). They are the one who will guide and stand behind us in every steps, decisions, choice s as well our falls. Without them, there can only be two ways where we will go, the right way or the wrong way.If the personality of the person is weak, then he or she will be easily go to the wrong path of adolescence period while if the person does not being hindered by many physical, emotional and social problems, then he or she can overcome all these and will go to the right path.These problems that were represented from the play were all good picture of what the country, Great Britain, is experiencing when Delaney wrote it. I think the author want to emphasize every problem to the viewers and internalize on how to deal with these. The author wants to impart or educate on what is really happening in their society. This is like a call to response on these problems on which she used the abnormal stage of adolescence.

buy custom Nghe an Tate Lyle Sugar Co essay

buy custom Nghe an Tate Lyle Sugar Co essay I find it interesting that Nghe an Tate Lyle Sugar Co. wanted to invest over 90 million dollars in a communist governed country that had already invested over 1 billion dollars for the previous three years (since 1995) on milling capacity on the still unstable sugar cane industry in 1998. The risk exposure of investing to the magnitude of 10% capacity on an unstable industry in a communist country (Vietnam) is absurd. The fact that Nghe an Tate Lyle Sugar Co. wanted to commit to a 90 million dollar mill with a 50% loan start up capital from international finance corporation in agriculture branch, at a time when already a majority of existing mills in Vietnam started by government backed credit terms, infrastructure subsidies and other easy credit facilities and were still unable to meet the interest payments with others unable to remain financially solvent and had to ofer lower prices for cane. A majority of mills were unable to attract enough cane to be viable. It is unfathomable that, Nghe an Tate Lyle Sugar Co. wanted to follow the same failed concept. The market environment was unsuitable for business at the period of Nghe an Tate Lyle Sugar Co. Investment interests, because the imports were 50% to 70% cheaper than locally produced sugar, making Vietnam an almost insufficient sugar production country. Smuggling of imports was also at its height making the investment environment tremendously unattractive. Social returns differ from private returns in that social returns is the social impact of the private investment on the community at a social level, for example, creation of jobs, infrastructure development, social amenities and other general impacts. Private returns are the advantages acquired by the investor, for example, wider markets, efficient and effective production and better profits to the investment company. (Esty B.C, 2004) Social returns and private returns are essential to assess by private companies aspiring to invest in a region so as to weigh the viability of investing in that area. Commonly assessed by all organization involved in the investment so as to ensure the investment is fair to all parties. i.e. The company investing, and the region of interest, for example, in this scenario Nghe an Tate Lyle Sugar Co. had requested a loan from international finance corporation, and before international finance corporation could grant the loan they had to assess (both Social returns and private returns) the impact of the investment by Nghe an Tate Lyle Sugar Co. on the region. The main stake holders were Henry Tate, Abram Lyle and International Finance Corporation. (Publishing, W. S, 2008) Buy custom Nghe an Tate & Lyle Sugar Co essay

CBA Leads Bank Share Price Correction

The article is entitled â€Å"CBA leads bank share price correction† is analysed in this report. The article primarily discuss how share price has plunged deeper in the major banks into correction territory following a weak trading update arising from Commonwealth Bank disclosing increasing costs, narrowing margin of profit and escalating loan losses. It indicates that CBA has agonized its sharpest day-to-day share price plunged ever since global financial crisis. CBA’s shared price plummeted 5.9% to 82.98 dollars culminating to a further worsened investor sentiments. This followed a third-quarter unchanged profit report by CBA remain constant at $2.2 billon. This plunged has adversely affected CBA’s competitors including Westpac, NAB, and ANZ Banking Group. The article concludes that the next immediate teething problem for the sector is profit result for NAB merged with 3 big 4 trading ex-dividend over the following week. The accounting theory used in this analysis is Efficient Market Hypothesis (EMH)-semi strong form (SSF). EMH describes an investment theory that posits it is not possible to ‘beat the market† due to stock market efficiency that makes available share prices to incorporate as well as reflect every relevant information. Stock trade always at their fair value on stock exchanges which make it an impossibility for investors to buy undervalued stocks and sell stocks for exaggerated prices (Chi, Tripe & Young, 2014). Hence, it remains an impossibility to outperform the entire market via expert stock selection and market timing. The investor can solely likely to acquire higher returns through the purchase of riskier investments. SSF implies every public information is computed into current share price of stock implying neither fundamental nor technical examinations can be utilized to accomplish superior returns. Hence, solely information hidden from the public is suggested to benefit the investors looking to earn abnormal ROI as every other information remains accounted. There is a direct relationship between the share price plunge and the information availed to the public by the Commonwealth Bank (CB) which is what SSF posited above. The plunge in shares in leading banks plunged deeper into correction territory only following a weak trading update given by the CB. This indicates that the public had the information that costs were rising, profit margins were narrowing and the loans losses were rising. According to SSF, every information available to the public is accounted for in the stock prices and no amount of technical or fundamental analysis gives superior returns. This describes why the investors used CB’s update to punish the shares in CBA thereby plunging 5.9%. Indeed, CLSA Brian Johnson confirmed this hypothesis by stating that investors had already seized on the bad news of CBA relating to margins, bad loans and costs. Moreover, the David Ellis confirmed the SSF hypothesis by stating that the investors used the information thereby flocking to banks to exploit their huge dividends as bank shares were being sold off due to increasing yields hence ‘yield trade’. It is also believed that investors could be starting to question whether the fundamentals could justify the hideously expensive valuation, anchored on measures like price-to-earnings as well as price-to-book ratios. This means that the investors are aware of the SSF hypothesis that takes into calculation all public information into present stock share price and hence fundamental analysis cannot be applied to achieve gains by banks (Leuthold & Hartmann, 2013). Due to EMH, the investors behaved in the manner above because they believed that the market remains ubiquitous and, therefore, no quantity of analysis could assist them achieve alpha returns (Groenewold, 2012). Thus, because market is a reflection of its participants, the market is, therefore, all knowing, and becomes unbeatable. It knows the right value to assign to a given stock as stated by EMH. This explains the above plunges in bank share prices (Aitken, Almeida & McInish, 2013).   Ã‚  Ã‚   From the above information, it has been demonstrated that the share prices have extremely plunged due to the update by the Commonwealth Bank. This supports the EMH-semi strong form which posit that all publicly available information is accounted for and hence no degree of technical or fundamental analysis can help investors acquire alpha returns (Schenone, 2014). Aitken, M., Almeida, N., & McInish, T. H. (2013). Financial analysts and price discovery. Accounting & Finance, 48(1), 1-24. Chi, J., Tripe, D. W., & Young, M. R. (2014). Do exchange rates affect the stock performance of Australian Banks?. Available at SSRN 965599. Groenewold, N. (2012). Share market efficiency: tests using daily data for Australia and New Zealand. Applied Financial Economics, 7(6), 645-657. Leuthold, R. M., & Hartmann, P. A. (2013). A semi-strong form evaluation of the efficiency of the hog futures market. American Journal of Agricultural Economics, 61(3), 482-489. Schenone, C. (2014). The effect of banking relationships on the firm's IPO underpricing. The Journal of Finance, 59(6), 2903-2958.

A Study of Performances Improvement on IT Project Management Workers Dissertation

A Study of Performances Improvement on IT Project Management Workers ..A Case Study of China's C Information Technologies Co - Dissertation Example Moreover, Maslow’s motivational theory is used in understanding the motivation for improved performance within C Information Technologies Ltd. More importantly, the evaluation and discussion of factors affecting the performance of individuals and the strategies used by companies to improve performance are analysed and discussed within the paper. Introduction and Background The human resource function of contemporary organizations has revealed an increased focus on performance management for IT employees. Wikina (2008, p. 19) explains that this is attributed to the increased competitiveness within various markets and the changes in work activities which emanate from the advancement of information and communication technology. Performance management involves employee evaluation within the IT department which acts as a guideline for the needs of employees for skills, knowledge and abilities that will allow them to improve their productivity and performance at the work place (Gheo rghe & Hack, 2007, p. 17). China is a very competitive and rapidly growing economy especially within the IT sector. In addition, companies operating in China have experienced tremendous changes in the recent past which are related to the changing business environment and the demand for IT expertise. It is because of these challenges that most organizations and companies within China have demonstrated an increased regard for performance improvement for IT staff through employee development and training. This paper presents a report on the investigation on performance improvement among IT project management workers within C Information Technologies Ltd. The Chinese company acts as a case study for this investigation which is aimed at achieving a deeper understanding of the process of performance management as it is applicable within this company. More specifically, the study will achieve an analysis and evaluation of the characteristics of the company’s IT staff such as skills and attitudes towards work. This analysis will be conjugated with a study on the various factors which affect the performance of the C Information Technologies Ltd.’s IT staff with a view of determining the need for improvement. Furthermore the paper explores past literature on the topic to analyse and discuss the factors affecting performance management and the best strategies of improving the performance of the IT project workers within the IT industry. More significantly though is the fact that this study applies scientific methodology approach in meeting the following research questions and objectives. Objectives of the Study 1. To explore upon the theoretical framework on incentives and motivation of IT project staff which contributes to improved performance 2. To find out the important factors which affect job performance of IT project staff 3. To determine the most effective techniques and strategies in performance management which will improve the performance of IT pr oject staff within C Information Technologies Ltd. Research Questions 1. What are the performance characteristics of IT project staff within C Information Technologies Ltd? 2. What theoretical framework describes the motivations and incentives behind the level of performance among the c C Information Tec

Voting Right Essay Example | Topics and Well Written Essays - 1000 words

Voting Right - Essay Example However, in the years since the words of the Declaration of Independence were put to parchment, the Supreme Court has, more often than not, shown that it will uphold the status quo of society, and deny the right to vote to women and those of minorities, rather than affirming and advancing it. Though there have been some instances of advancement occurring, they are not as plentiful as those that do not. The list of cases for both protection and denial of voting rights spans not only decades of history, but could also span volumes of pages. As always with multiple examples, there are those that best exemplify things, and I believe that the cases of United States v. Reese in 1876 as well as Minor v. Happersett in 1874 are the best examples of the Supreme Court denying voting rights, while the cases of Smith v. Allwright in 1944 and Baker v. Carr in 1962 are the best examples of both advancing the right to vote and ensuring protection for it. Both United States v. Reese and Minor v. ... In United States v. Reese, an election inspector, Hiram Reese, had refused to allow William Garner, who was an African-American, to vote in a Lexington, Kentucky election, due to the fact that he had not paid a poll tax of $1.50. In Minor v. Happersett Mrs. Virginia Minor, leader of the suffrage movement for women in Missouri, brought suit against a registration officer when he refused to add her name to the list of registered voters, due to her gender. Garner alleged that he had attempted to pay the poll tax and had been refused, while Mrs. Minor alleged that she was a citizen, and all citizens had the right to vote, therefore she had the right to vote. The Supreme Court in United States v. Reese ruled that the Fifteenth Amendment â€Å"does not confer the right of suffrage upon anyone†, meaning that just because he was African American did not mean that Garner had the right to vote. The result of this case was that states were able to continually deny the vote to African Ame ricans, not based on race, but on other requirements such as literacy and nonpayment of poll taxes. In Minor v. Happersett, the Supreme Court went further, stating that though the Fourteenth Amendment gave all citizens the right to vote, and Mrs. Minor was indeed a citizen, the Constitution did not specifically give women the right to vote. This decision was all the more ridiculous because the Constitution did not provide for many things that had since come into existence in the United States and had worked quite well, yet women were still denied the right to vote because it did not exist in the Constitution. Both of these cases are examples of the Supreme Court not only denying the right to vote to citizens of the United States, but acknowledging that legislation existed that could have

Impact of Globalisation on Toyota Essay Example | Topics and Well Written Essays - 3000 words

Impact of Globalisation on Toyota - Essay Example Globalisation has played a major part in the emergence of automobile industry and Toyota has been a leading name in the industry which has also been impacted due to globalisation. The paper will discuss and explore the characteristics or issues of globalisation along with its impact on Toyota. Theoretical Framework Globalisation does not have any definite or specific definition. According to Vogel (2010), â€Å"Globalisation is known as the domination of the world economy by multinational companies†. Free trade policies and practices have enabled these large corporation entities to operate their business globally further influencing world economy. Capitalist nations have been mostly benefitted by globalisation. Trade and multinational companies have been highly benefited as a result of globalisation (Vogel, 2010). Globalisation has influenced the political as well as technical environment of the world. However, globalisation can be termed as practice of trading among the natio ns through the operations of the internationally operating corporations. The exchange of goods and services were possible as globalisation enabled these companies to operate in various nations facing minimum friction (Martin Frost, 2011). The effect of globalisation was noticeable after the World War II. The monetary and corporative movement was highly noticeable after the World War II which can be marked as increasing pace towards globalisation. The advancement of technology, establishment of new organisations along with introduction of legal policies and establishment of legal systems are highly responsible for globalisation to flourish and develop. The characteristics of globalisation has... This research focuses upon Toyota that is considered to be amongst the largest car and vehicle manufacturing companies. The company operates its business in a global market and industry where intense competitions are observed. As a result of globalisation, the industry the company deals in is facing many emerging potential competitors from various nations. The advancement of technology has created huge demand in the markets. The advancement of technology has allowed better productions which are gaining demand in the market. Toyota has incorporated advanced technologies in the process of its manufacturing goods. Although, the efforts applied by the company need to be enhanced to cope up with increasing pace of globalisation and upgrading of technologies. The company needs to be actively involved in advancing the technologies it incorporates in manufacturing its goods. As the company is globally renowned, the expectations of the customers would grow with the expansion as well as increa sing impacts of globalisation. Toyota is recognised as an environmental friendly company. This has contributed in its image globally, adding to its brand image gaining company goodwill. With the help of various entry strategies accommodated by the company, it has been able to operate well in multiple nations. Being a Japan originated company, the company has been able to generate maximum of its profit from various European nations and the US as well.

Ethno Musicological Analysis of Music of a Greek Sub-Culture

Ethno Musicological Analysis of Music of a Greek Sub-Culture Rembetika is the Greek urban song that emerged during the 20th century. The aim of this dissertation will be to approach, explore, evaluate, and compare rembetika as cultural art expression and as heritage art expression. It will explore the roots of rembetika, the historical and political forces that influenced its development, and the changes that have transformed it into what it has become today. It will seek to address the question of how this Greek musical tradition managed to develop and survive on Turkish grounds. In addition, it will study the role that rembetika has played in Greek society, and explore what made this form such an important vehicle of expression for the people who lived during the years in which it flourished the most (the period after the Asia Minor Catastrophe).Finally, it will discuss the ethnomusicological aspects of rembetika by comparing it with the music of similar subcultures, such as fado,tango, and flamenco. Literature Review Researching rembetika has presented special challenges, as its acceptance into society is relatively recent. In addition, its existence as a legitimate subject of academic investigation is relatively new. The work of Gail Holst (later Holst-War haft) was tremendously helpful in researching rembetika, as her work spans a number of years. Her earlier writings are enthusiastic and passionate, although unfortunately much of the information she presented was not quite accurate, as the sources she relied on did not have the correct information to begin with. She discusses this in the preface to third edition Road to rembetika Her later writings, particularly the essayRebetika The Double-descended Deep Songs of Greece, are written in a much more scholarly fashion, and are carefully researched and documented. In general, her work was an invaluable resource. Elias Petropoulos book, Songs of the Greek Underworld: The Rebetika Tradition, was another helpful source. Petropoulos first-hand knowledge of the world of rembetika gives him an insiders perspective that is difficult to find in the literature that is available on this subject. As a source, however, it tends to be uneven, as the mythology of the rebates is intermingled with his notes on musical modes and lyrical style. In addition, some of the information is contradictory. For example, although Petropoulos asserts that the practitioners of rembetika were basically law-abiding people, he spends a great deal of time talking about their prison hierarchies. He does this without explaining why these law-abiding people would spend so much time behind bars. Of course, over the course of doing this research, one is able to devise theories to explain this contradiction. As a marginalized people and members of a subculture, practitioners of rembetika were often vulnerable to authorities. This would certainly explain the fact that they spent a great deal of time in prison, since they would be persecuted for this and for their rebellious attitudes as well. In addition, the excessive use of hashish, although not at the time illegal, may have been a factor that would contribute to this. At any rate, the lingo of prison figures prominently in many of the rembetika lyrics, and the lyrics are so closely associated with the actual lives of the rebates that the merging of myth and man seems inevitable. Petropoulos also points out that lack of availability of rembetika records makes a thorough ethnomusicological analysis of rembetika as a musical form very difficult. He asserts that in order for there to be an initial compilation and transcription of songs, more resources would have to be made available. Petropoulos also states that as of 2000,there were no moves in this direction, although he points out that he has deposited all of his rembetika archives in the Gennady’s Library in Athens. Recent journal publications on the social and cultural aspects of rembetika, though not as plentiful as those available on more mainstream musical cultures, are generally well-researched and carefully documented. The work of Sand, Ste ingress, and Tunis were all very insightful. There is every indication that this is a growing field of study that merits further research. 1. Introduction The music of a society is said to be a reflection of that society, and this is true of sub-cultures of a society as well as it is of the mainstream of which they are a part. As this paper intends to demonstrate, rembetika reflects the subculture of the people who shaped and developed it. Although it has become part of the modern culture not just of Greece, but also of the diaspora and, as Tunis has suggested, the wider multicultural world traditional rembetika is not truly reflection of todays society. It reflects back on an early time. Thus, in a sociological cultural framework, though rembetika still exists, the rembetika we know today is a reflection of a marginalized group or subculture that no longer truly exists. Rembetika, as defined earlier, is the Greek urban song that emerged during the 20th century. It is closely identified with a Greek subculture that developed after the incident known as the Asia Minor Catastrophe an event that changed the course of Greek history and affected the lives of the millions of refugees and immigrants who were forced to leave their homeland. Section 2 of this paper, The History of Rembetika, discusses rembetika music by placing it in a historical framework This is accomplished by discussing the political and social atmosphere in which the musical form developed, as well as the events which shaped and directed its future. Also addressed are current theories of the derivation of the word rembetika. The section concludes with discussion of the language used to analyse rembetika. Section 3 analyses the components of rembetika music form itself: the lyrics, the music, and the dances. Although the three together comprise what is known as rembetika, by taking them apart for individual analysis, one is better able to understand the essence of the music form. The lyrics of all the songs, from the love songs to those that praise the freedom of escape through hashish, express a pervasive sense of loss. These are the authentic songs of rembetika these are not the lyrics that were written after rembetikas status had been elevated to respectable and eventually popular, levels. In terms of music, the melodies of rembetika conform to the modal types of Greek folk music as well as Turkish folk music, with strong ties to Byzantine church music. In addition, as Petropoulos points out, they have been influenced by a number of other sources which were brought to Greece by the gypsies. Therefore, the music also shows traces of influence from Albania, Serbia, Bulgaria, Romania, southern Russia, the Caucasus, Syria, Egypt, and India (Petropoulos, 2000: 75). In Section 4, rembetika is analysed within a sociocultural framework. First is a discussion of the social acceptance of rembetika as it has waxed and waned over the years. Following this is a look at rembetika within an ethnomusicological framework in which it is compared to the music of similar subcultures, such as flamenco and fade. The ways in which rembetika music reflects Greek society are not simpleton determine, given the complex nature of its history. How, then, does one attempt to analyse rembetika music in order to understand it in a cultural sociological framework? Ste ingress offers a framework for doing this. He bases his theories on years of research on ethnic music styles associated with subcultures, including rembetika, as well as tango and flamenco styles. Using the data amassed from these studies, he offers a set of criteria by which each of these musical styles can be assessed. He also points out that traditional modes of study do not work for these non-traditional cultural forms, asserting that ethnocentric, nationalist or essentialist approaches to ethnic music-styles afford little insight into the social and cultural significance of postmodern popular art'(Ste ingress, 1998: 151). 2.. History of Rembetika This section discusses the history of rembetika music, placing it in ahistorical framework by discussing the political and social atmosphere in which the art form developed, as well as the events which shaped and directed its future. It also addresses current theories of the derivation of the word rembetika, and presents a discussion of the language used to analyse rembetika. 2.1.1 The Asia Minor Catastrophe Discussing the tragedy of the Greek-Turkey conflict, Holst-Warhaftwrites: so symbolic of tragedy is the defeat of the Greek forces in Asia Minor and the fire that destroyed Christian Smyrna in 1922, that it is simply referred to as The Catastrophe (Holst-War haft, 1972:114). Indeed, The Catastrophe was an event that forever altered the character of the newly independent country. In order to truly understand rembetika, one must understand the events that affected its development. The Catastrophe is one of them. According to the treaty of Sevres, Greece was accorded the right to occupy Smyrna. Despite the obvious difficulties this presented, the Greek army forged ahead and tried to do this in 1919 with the support of its allies. The apparent goal was to gain a foothold in Asia Minor; however, there was more involved than obtaining land to the Greeks. It was also a symbol, for most Greeks, of the cherished dream of recovering some part of their former Byzantine glory (Holst-Warshaft,1972: 114). Though initially things went well, the Greeks decided to march inland in an attempt to take Ankara. During this period, the French backed out, and eventually the Greeks were left to fend for themselves. The Greek army was forced to flee, joined by the Greek population of Smyrna Greeks who were unaccustomed to living in Greece. Thousands were killed in The Catastrophe, and the city of Smyrna was burned to the ground by the Turks (Barrett. Holst-War shaft, 1972). The outcome of the Turku-Greek war resulted in an international conference in which it was decided that a compulsory exchange of populations between Greece and Turkey should be put into place. This exchange was based solely on religion. Actual nationality was not considered at all. Hence, people who were Orthodox were considered Greek, and people who were Muslim were considered Turkish (Holst, 1983: 25). The effects of the Asia Minor Catastrophe were devastating and far-reaching. The refugees who had fled from Asia Minor were now penniless; in addition, they had left without a chance to take any belongings, so they were in a desperate state. Although they came from far more cultured, affluent land, when they relocated in Greece they were forced to live in poverty as inferior individuals. The huge and sudden increase in population led to the growth of huge shantytowns on the outskirts of Piraeus and Athens. It also created for the first time, as Holst-War shaft writes a sizable proletarian audience for songs that dealt with themes of poverty, nostalgia, hashish smoking, and low life. The expulsion of Asia Minor Christians also became enshrined in Greek popular culture as a metaphor for loss and grief'(Holst-War haft, 1998: 115). The refugees were literally living on the edge of Greek society. According to Holst, it was not surprising that many of them joined there bà ªtes or mange’s in their loosely organised sub-culture, or were attracted to the hashish-smoking takes, to which they were accustomed in Turkey (Holst, 1983: 27). This passage from Barrett explains the plight of the refugees with poignancy: Imagine yourself as a refugee. In Asia Minor you may have had business, a nice home, money, friends, family. But in the slums of Athens all you had was whatever you could carry with you out of Turkey, and your shattered dreams. You went from being in the middle class toeing underground in a foreign country that did not particularly want you. Rembetika was the music of these outcasts. The lyrics reflected their surroundings, poverty, pain, drug addiction, police oppression, prison, unrequited love, betrayal and hashish. It was the Greek urban blues. (Barrett, 2005: nap.) As stated above, the refugees hailed from a far more cosmopolitan environment. This, naturally, included the musicians, who brought with them a sophisticated level of skill. According to Holst-War haft, the influx of refugees had an impact on the music, and there was a revival of the oriental, or what would come to be called Smyrna-style music. According to Emery, the effect of these forced migrations was to shatter the previously existing social and economic structures of Greece. Classes and hierarchies that had existed in the diaspora communities were turned topsy-turvy in the bedlam of flight and the ensuing struggle for survival (2000: 19). Furthermore, the refuges were plagued by unemployment, since the sudden population explosion made employment opportunities scarce. Finally, the issue of racism created yet another set of pressures for the newly transfixed refugees(Emery, 2000: 19). So the violent break-up of traditional social structures was accompanied by another violence, in the ways in which social spaces and living conditions were organized for the newly arrived migrants’, writes Emery (2000: 19). Formerly productive members of a more sophisticated society, the refugees were now living in squalid conditions, suddenly impoverished and traumatised. Considering these conditions, the only options open to them for survival were prostitution and crime. If they sought their escape through hashish, it seems harsh to condemn. The fact they also sought escape through their music is something later generations can be thankful for. 2.1.2 The Language of Rembetika Holst addresses the issue of spelling in her Preface to the third edition of Road to Rembetika, noting that she is frequently asked why her transliteration of the Greek word Ï ÃŽ µÃŽ ¼Ãâ‚¬ÃƒÅ½Ã‚ ­Ãâ€žÃŽ ¹ÃŽ ºÃŽ ± is rembetika, instead of the frequently-used rebetika that tends to be favoured by foreign scholars and researchers. Explaining that phonetically, the English bis at best a close approximation of the Greek ÃŽ ¼Ãâ‚¬, she asserts that there is a strong case for transliterating both rembetika andzembekiko with an m. That is the spelling that is used in this paper, except when quoting the material of others who use different variations. In those cases, the spelling of the original document prevails. In his introduction to Petropoulos book, Emery offers a number of possible derivations for the word term rembetika, which is alternately spelled rembetiko, rebetiko and rebetika. Like all subculture music’s, rebetika poses difficulties of classification ‘writes Emery, noting that individual rebetologists each have their own explanations (2000: 16). It is his estimation that the most likely derivation is from the old Turkish word rebut, which means of the gutter. Other possibilities offered by Emery include the term rebetasker, which is what the Turks used to refer to irregular troops, or people who defied authority. The Serbian word reebok, or rebel, is another possible source, as is the Hebrew rab, which is the root word for rabbi (2000: 16). Holst concurs that there is no certainty about the beginnings of the word. She explains that it is not known where it comes from, or when it was first used. What is no longer in doubt’, she asserts, is that the type of song usually termed rembetiko derives from or has its origins in an oral tradition where improvisation played an important part in both the music and the lyrics of the songs'(Holst, 1983: 2). Other words that are part of the language of rembetika include rebates(plural rebates; also rebates with the plural rebates). This word refers to the original practitioners of rembetika the men who actually lived the life and formed part of the sub-culture in which rembetika developed. The word mangas (plural mange’s) is close in definition; it also refers to members of the sub-culture, but they may or may not have been directly involved with rembetika. In addition, mange’s were generally part of the underworld (Holst, 1983: 13–14). 2.1.3. The Figure of the Rebates Petropoulos asserts that you cannot talk about the rebetiko song without first talking about the rebates (2000: 42). Though often associated with the underworld, this classification is not fair, and it is often untrue. Petropoulos makes clear the distinction that members of the underworld are usually considered as acting outside the law, while rebates, for the most part, existed with it. Here is his colourful description of the rebates: the rebates was careful to safeguard his personal freedom. The rebates detested bourgeois ways, consequently he did not marry. The rebates was a fighter. The rebates smoked hashish. The rebates knew how to use a knife. The rebates spoke in slang (2000:43). Petropoulos goes into great detail about the rebates. As for physical appearance, the rebates was usually slender with no sign of a belly’. His hair was often greased with brilliantine, and he would probably sport a single curl that would fall over his eyes. He would usually have a moustache, which would also be waxed. Use of body paint was common, as were tattoos. There was usually a specific tattoo on the back of one of his hands. He would walk with a lop-sided, rolling gait, his left shoulder raised, and moving only his right hand. The look would be heavy and vaguely threatening, the voice hoarse from much smoking of hashish (Petropoulos, 2000: 49). As for clothing, the rebates seem to have been very particular. Perhaps this was a way in which these displaced individuals, torn from their homes without possessions, were able to re-invent their identities in this strange new land. It may also have been a secret form of communication within the closed group. For example, they would wear black republican hat with a wide black band on days of mourning and also on days when enemies were to be killed. The rest of their outfit included a black jacket with ivory buttons that were never buttoned up, as well as a peculiar type of trousers. According to Petropoulos, the trouser-bottoms were so narrow that the rebates used to say that they needed a shoe horn to get them on, and had to soap their heels to get them off, although he does not offer an explanation for this (2000:51). The trouser legs were also turned up at the cuff. This was done to reveal a patch of red velvet that was sewn on the inside, precisely in the style of the kapadaides of Istanbul (Petropoulos, 2000: 51). This, again, suggests a sense of sartorial solidarity. Petropoulos also states that the rebates had a fondness for a certain type of yellow shirt and would also wear a red tie known as achasapikes, which resembled a bow tie. However, at the start of the twentieth century, they stopped wearing ties, considering them too bourgeois. They continued to wear a sort of cummerbund, however. This was called a sonar Although it seems that this item of clothing would also have been rejected as bourgeois, Petropoulos explains that, on the contrary, it was usually arranged with great care, since it was both a way of transmitting messages as well as a convenient hiding place for weapons. For example, one end of the sonar would hang down, and to tread on the trailing end of a toughs sonar was equivalent to laying down a challenge (Petropoulos, 2000: 51). The sonar was also, according to Petropoulos, the last remaining vestige of oriental influence on the rebates clothing. According to Petropoulos, the rebates would carry a range of weapons, although they preferred the silence of double-edged knives and stilettos (2000: 53). They also had standard ways of both humiliating their enemies and killing them. To humiliate an enemy, they would chase him down and slash his buttocks. If the intention was to kill, they would use a double-bladed knife to stab the victim in the stomach. According to legend, the rebates would then pull the knife out and lick the dripping blood. Alternate legends indicate that the rebates would either bend over the dead mans body and do one of two things: either bite of an ear, or suck out an eye (Petropoulos, 2000: 53). Their other weapon of choice was the cudgel: the rebates would dangle their cudgels ostentatiously from the left arm. Transferring the cudgel to the right hand indicated the threat of a beating to come'(Petropoulos, 2000: 54). As might be expected, most of the fighting and killing took place in the evening hours. The format of the fight itself is described by Petropoulos as Homeric. The fight would inevitably begin with an outpouring of oaths, and it was considered unacceptable to kill someone without warning. In addition, the adversaries would wrap their jackets round their left arms, providing them with a kind of shield, somewhat like a medieval sword fight. . . No third party had the right to separate two feuding mange’s who ha drawn their knives'(Petropoulos, 2000: 54). Rebetes who were in prison had a very clear hierarchy. The leader was known as a tsirà ­bashi: the tsirà ­bashi who wanted to assert his authority would hold his knife high and force his fellow prisoners to pass beneath it. As a show of bravado, the mangas would use their knives to eat, shunning all forms of cutlery. In addition not unlike today anyone in prison who did not obey the tacit code might end up getting knifed himself. Although Petropoulos asserts that the rebates were basically law-abiding people, he spends a great deal of time talking about their prison hierarchies. He does this without explaining why these law-abiding people would spend so much time behind bars. Perhaps their existence as a marginalized people made them often vulnerable to authorities, and consequently, they spent a great deal of time imprison because of this persecution. Although this may be true, the excessive use of hashish, although not at the time illegal, may have been a factor that would contribute to this. At any rate, the lingo of prison figures prominently in many of the rembetika lyrics, and the lyrics are so closely associated with the actual lives of the rebates that the merging of myth and man seems inevitable. 3. The Essence of Rembetika This section analyses the components of rembetika: the lyrics, the music, and the dances. Although the three together comprise what is known as rembetika, by taking them apart for individual analysis, one is better able to understand the essence of the music form. 3.1.1 The Lyrics According to Petropoulos, some researchers labour to discover ideas in rembetiko song, and he is highly dismissive of this: the rebetes organized their life in their own particular way, and that is all there is to be said on the matter (Petropoulos, 2000: 68). He does present his own theories on the lyrics of rembetika music, however, and because he is so intimately familiar with the modes and style of rembetika, his insights may be considered rare and valuable. For starters, he breaks rembetika music lyrics down into a series of twenty categories, which are listed below: 1. Love songs 2. Songs of parting and separation 3. Melancholic and plaintive songs; songs of remonstrance 4. Songs of the underworld 5. Hashish-smokers songs 6. Prison songs 7. Songs about poverty 8. Songs about work and working-class life 9. Songs about TB and ill health 10. Songs about Charon and Hades 11. Songs about mothers 12. Songs about exile and foreign parts 13. Songs about dreams; orientalist songs; exotic songs 14. Tavern songs 15. Songs which sing of small sorrows 16. Satirical songs; songs which give advice about life; songs which threaten violence and retribution 17. Songs which are depictions drawn from life 18. Songs which sing the praises of various cities and their inhabitants 19. Songs of army life and war 20. Songs composed for specific individuals (Petropoulos, 2000: 69). Petropoulos also points out that many songs can easily fit under more than one of these categories, and sometimes several at a time. Of the categories above, Petropoulos states that approximately half of the recorded rembetika songs he knows of fall under two major categories. The first of these is love, including parting or separation. The other theme has to do with elements of the rebetic subculture, including the underworld, hashish, prison, tavern, and fights. The rebates never ventured to attack the established institutions of society, he asserts; the police remained the only real target for their aggression (Petropoulos, 2000: 70). As for the style, he explains that the songs were written in a simple style, with a fair smattering of argot (Petropoulos, 2000: 68). It is Petropoulos contention that since in Greece official folklore studies are considered the domain of academic professionals who lookdown on both rebetika and slang, it is highly unlikely that a thorough understanding of rebetika lyrics will not be available in an academic format. He also asserts that since many of the important rembetika practitioners have long since died, their memories and experiences are no longer available to be recorded (Petropoulos, 2000: 70). Because the rebates of this time lived in poverty and squalor, there are a large number of songs that deal with issues of poor health. Most of these, according to Petropoulos, focus on tuberculosis, which was responsible for taking many lives during this time. The high death rate among this subculture also led to quite a few songs about the afterlife, with images of Charon carrying off the dead and taking them down into the underworld, into Hades (Petropoulos, 2000: 71). There are also a considerable number of songs in praise of maternal figures, as well as an absence of songs about fathers. According to Petropoulos, the figure of the mother was very important to their betas, and if there was a hierarchy of women figures, the maternal figure would always be on top: where the mother appears simultaneously with the singers beloved, precedence always goes to the mother'(Petropoulos, 2000: 71). Here again, Petropoulos is dismissive of professional analysis of the lyrics: I shall avoid psychoanalytic clichà ©s and say simply that we don’t know the explanation for the rebates one-sided fixation on his mother (2000: 71). Underlying all the songs, from the love songs to those that praise the freedom of escape through hashish, is a pervasive sense of loss of this disenfranchised group. These are the authentic songs of rembetika these are not the lyrics that were written after rembetikas status had been elevated to respectable, and eventually popular, levels. According to Holst, As the lyrics of the rembetika songs and the descriptions of the rembetika musicians depict them, the mange’s were far from being the idealistic, daring young braves a number of modern Greek writers would have us believe. They were, however, an extremely interesting sub-culture, whose beliefs and habits remain in a rare state of preservation thanks to the words of the rembetika songs (1983: 45). 18. Lemonadhika Down in Lemonadhika, there was a fuss going on. Thomas was caught, together with Elias. Hey, Thomas, dont go making a fuss, because youll come off worst, with a load of bother. Down in Lemonadhika, there was a fuss going on. They caught two pickpockets, and they acted innocent. They stuck them in handcuffs and took them off to prison, and if they dont find the loot theyll get beaten up. Mr. Policeman, dont beat us, because you know that this is our work, so dont come looking for a kick-back. We steal purses, we knock off wallets, so the prison gates get to see us pretty regularly. Death doesnt scare us, only hunger does, thats why we steal wallets and lead the good life. [By V. Papazoglou] (in Petropoulos, 2000: 141) This song was selected because its lyrics strongly suggest the attitude of the rebates of this time. According to Holst, much of the anger and defiance exhibited by the mange’s was directed towards the police. She explains that they do not actually protest the way they are treated, although it seems they often had the right to. Petropoulos concurs here, asserting that when the lyrics of the rebates seem to be in the form of protest, the focus is vague and non-directed (Petropoulos,2000: 70). It was not so much that they protest their ill-treatment’, asserts Holst, stating that in fact they obviously feel some pride in having eaten wood (been beaten up) and served their time in jail; it is rather a refusal to change their way of life or to be submissive before the police, or to lose their sense of humour (1983: 45). The sense of futility and helplessness in the second verse, in the advice to Thomas: dont go making a fuss/because youll come off worst/with a load of bother. This is clearly the attitude of a segment of society that knows better than to challenge authority. They are aware of their low status in the social hierarchy and know better than to assert themselves in any way, for the consequences will be a load of bother. The lyrics of the fourth and fifth verses clearly indicate familiarity with what appears to be a corrupt police force. They know the routine: first their compatriots will be restrained with handcuffs, and then they will be further restrained locked away in prison. Furthermore, they know that if the police do not get their percentage ‘of the stolen goods, that the perpetrators will receive, in addition to everything else, a beating. The progression of thought from verses five through seven is also interesting to note. In verse five, the alleged pickpockets demonstrate perceptive knowledge of criminal life: they know a beating is to follow, and they try to prevent it. In verse six, they admit that they are used to this routine: the prison gates get to see us/pretty regularly. By the final verse, they seem resigned and tough: Death doesn’t scare us/only hunger does/thats why we steal wallets/and lead the good life. The last line is feisty and full of bravado, the kind of bravado that seems to have been the rebates defining trait. The Little Hanoumakia At Panayas on the beach, there was a little tekà ©, And I went there every morning to drive away my blues. Two pretty little hanoumakia, stoned the poor things, I found them there one morning, sitting on the sand. Come close my dervish and sit near me And Ill pour out the blues from my heart. Take your baklama and entertain us for a while, And light up a joint and smoke with us. First light up my narghilà ©, so I can smoke and turn on, And later, hanoumakia, Ill take my baklama. If you want to get high on the narghilà © with fine Turkish hashish, Its Uncle Yannis tekà ©, down in Pasalimani. These lyrics contain words that, as Petropoulos stated above, need tube explained if one is to grasp the gist of the song. Holst explains that the word hanuman, as well as its diminutive form hanoumaki (pluralhanoumakia) is a word with different meanings in Turkish and in Greek.Considering the mixed backgrounds of the rebates, this means that itwas probably used and interpreted in different ways by differentsingers and listeners. In Turkish, the word basically means female orlady. However, in Greek, the lady in question takes on verydefinite characteristics. The Greek usage usual